Here are our Spotify playlists for our 2024-25 season:
REP B (ensembles and New Year/Spring workshops)
REP C (pathway ensemble and August 2-3 workshop)
REP D
Here's our long list of learners. These are tunes that most jazz players will have as part of their essential repertoire - we'll be using these in the performance sessions of our ensemble days.
Tune keys are interesting - most tunes have one or two standard keys that people have tended to use through their jazz history. But players also use different keys, and for various reasons. Sometimes a tune will sit better on the instrument in another key, sometimes players just prefer the sound of a different key for a particular tune, and sometimes players like to challenge themselves (and others) in live performance (or recording) by picking an unfamiliar key for a tune. It is a fundamental jazz skill (for the very advanced player) to be able to play anything they hear in any key. The emerging virtuosi of the 1940 bebop jam sessions used the strategy of shifting a tune through all the keys to keep the chancers off the stage!
The standard keys for tunes can sometimes be those of the originals, or sometimes the keys of the most widely-known versions - and these are usually, although not always, reflected in the various 'Real Books' that we have increasingly tended to use as reference charts. There is a movement though, I can feel it in the air, to return to the glorious past, when players learned by ear, not from the page...
Singers, have special constraints, in that they have to find a key for each tune that provides the best fit between the range of the melody and the range of their voice. Players who accompany singers quickly acquire advanced transposition skills, or else die a lonely death. Then again, the very best singers seem to make any tune work in any key, if they have to...
Here's a playlist with some great versions of the tunes:
TUNES | USUAL CONCERT KEY | NOTES |
ALICE IN WONDERLAND | C | Original in G, Brubeck in Bb |
ALL OF ME | C | Oscar Peterson likes Ab, female singers F. |
ALONE TOGETHER | Dm | Kenny Dorham in Fm, Sonny Stitt and Artie Shaw in Cm |
BAGS GROOVE | F | |
BEAUTIFUL LOVE | Dm | |
BLACK NARCISSUS | Abm | Modal - so starting chord, rather than key... |
BLUE 7 | Bb | |
BLUE BOSSA | Cm | |
BLUE DANIEL | D | |
BLUESETTE | Bb | Hank Jones in G, Blossom Dearie in D |
BLUES FOR ALICE | F | |
THE BOY/GIRL NEXT DOOR | Bb | Griffin and Judy Garland in F, Sinatra Ab. Verse starts up a fifth. |
CANTALOUPE ISLAND | Fm | |
CARAVAN | Fm | |
CHEEK TO CHEEK | C or Eb | Louis Armstrong and Couriers Ab, Ella F |
CHELSEA BRIDGE | Db | |
CHEROKEE | Bb | |
CORCOVADO | C | |
FOUR | Eb | |
FREDDIE FREELOADER | Bb | |
THE GENTLE RAIN | Am | Sometimes in Gm or Em |
GET OUT OF TOWN | Eb (Cm) | |
GOOD BAIT | Bb | |
HONEYSUCKLE ROSE | F | Ella Db, Sarah Vaughan Bb |
HOW INSENSITIVE | Dm | Jobim Bm Astrud Gilberto Am Diana Krall Em Shirley Horn Gm! |
I FALL IN LOVE TOO EASILY | Eb | sometimes in C |
I'M OLD FASHIONED | F | Coltrane Eb Chet Baker Ab Ella Db Andra Sparks and Blossom Dearie C |
IN A MELLOTONE | Ab | sometimes in C |
IN YOUR OWN SWEET WAY | Bb | |
I THOUGHT ABOUT YOU | F | |
JOY SPRING | F | |
KILLER JOE | C | |
LADY BIRD | C | |
LOVER MAN | F | Billie holiday C, Blossom Dearie Bb |
MAKIN' WHOOPEE | Our choice C! | Eb Louis/ Nat Cole Sinatra Db, Ben Webster Ab, LaFaro C, Esther Phillips Bb |
MILESTONES | Gm | |
MOANIN' | Fm | |
MR PC | Cm | |
MY FOOLISH HEART | Bb | Most famous version (Bill Evans trio) in A |
NARDIS | Em ish | |
OH LADY BE GOOD | G | |
ONE NOTE SAMBA | Bb | singers in G and C |
POLKA DOTS AND MOONBEAMS | F | |
SOMEDAY MY PRNCE WILL COME | Bb | Original in G, Brookmeyer in Ab |
STAR EYES | Eb | |
STOMPIN' AT THE SAVOY | Db | |
STRAIGHT NO CHASER | F | Monk always in Bb, then Miles Davis played it in F! |
'S WONDERFUL | Eb | |
TENOR MADNESS | Bb | |
UP JUMPED SPRING | Bb | Abbey Lincoln in B! |
WAVE | D | sometimes in F, often in C |
WHISPER NOT | Cm | |
WITCHCRAFT | F | Ella and Sarah Vaughan in C |
YARDBIRD SUITE | C |